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Event Details


Join us for an afternoon of instrumental music
featuring
Co-Artistic Directors Kevin Kumar and Maia Jasper, violins
and
 |
 |
 |
| Steven Vanhauwaert |
Xiao-Dan Zheng |
Meredith Crawford |
| piano |
cello |
viola |
in
Joaquin Turina: La Oracion del Torero (The Bullfigher's Prayer)
Orlando Gibbons: Fantasias
Alexander Borodin: Trio in G minor (based on folk tune "What Have I Done to Hurt You?")
Matos Rodriguez: La Cumparsita (Tango)
Benjamin Godard: Forsaken
World Premiere of Jeremy Cavaterra's Andante
Johaness Brahms: Scherzo from Piano Quintet in F minor
Mingle with the Artists at the Reception
and enjoy complimentary cookies from West LA's beloved Diddy Reese
General Admission: $15 advanced tickets / $25 at the door
Students: $10 at the door
Mount Saint Mary's Faculty, Staff, and Students: Free admission
On-campus parking is free for our audience.
Park in Lot A and take the stairs to the main plaza.
(We will have signs to guide you!)
If you are unable to climb a flight of stairs, transportation will be available
to bring you from Lot A to the Hannon Theater.
Visit www.salastinasociety.org for more details
 |
Salastina Music Society has 501c3 non-profit status under the auspices of the
Pasadena Arts Council's EMERGE Fiscal Sponsorship Program
|
When & Where
Chapel of Mt. St. Mary's College
12001 Chalon Road
Brentwood,
CA 92672
Sunday, November 13, 2011 from 3:00 PM to 5:00 PM (PT)
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Hosted By
Salastina Music Society
Currently entering its third season, the Salastina Music Society is a concert series dedicated to presenting world-class performances of chamber music throughout Southern California. Founders/Artistic Directors Maia Jasper and Kevin Kumar bring a fresh approach to the classical concert experience, resulting in innovative performances with broad audience appeal. To date, several of Salastina’s performances have been broadcast nationally on American Public Media’s Performance Today.
Hallmarks of the series include:
• Visual and aural variety.
No two pieces on the program share the exact same mood, musical style, or combination of players. What’s more, only one piece per program lasts longer than fifteen minutes. Each concert as a whole is shorter than the average classical music concert, and is presented without an intermission.
• A special emphasis on vocal chamber music.
We perform often from the vast and seldom-heard repertory of chamber works that include singers. Additionally, we’ve commissioned two new works for voice and chamber ensemble, which were premiered by stars Rod Gilfry and Elizabeth Futral.
• Illuminating communication from the stage.
We deliver all of our program notes verbally. In our Masterpiece Discovery series, we share well-chosen musical examples (and explain their meaning within the context of the piece as a whole), resulting in a unique experience enjoyed by first-time and veteran concert-goers alike.
• Thoughtfully-chosen new music.
We believe in the music of our time. That said, we make our selections based not only on compositional sophistication, but also on lyrical and melodic qualities.
• A unique atmosphere of formality mixed with fun.
We believe dressing up, soaking in some of the most masterful art ever created, and laughing out loud can all work hand-in-hand to make any special event just that – special! We promote extra-musical ways of enhancing the concert experience, from gourmet post-concert receptions to collaborations with celebrity comics.And in a break with tradition, our audience is encouraged to applaud freely, without worrying about whether or not it is the traditionally appropriate moment. (No ticket buyer should be implicitly required to temper his enthusiasm!) Lastly, we encourage tangible audience participation, from giving the audience the opportunity to vote on the encore selection to hosting intimate musical salons.